Isabel Sobral Campos

 
 
 

 Sobriety Crystal





To simply say: “the crystal is a window” and someone asks “which window”
and you point to the left, “that one, the only one”

To simply say: “at night when it is intolerable” and someone asks “what is
intolerable?” but explaining is expiation

To simply state: “twelve steps” or “cold turkey” and then biting your tongue

To simply say: “vigil” “night watch” and then guzzling a glass of water (the
fizzy kind)

To simply say: “I sit and watch the dark” with feelers, the swollen yellow
hands, nails of mud, the face unwatchable

To simply say: “a condiment” “peppery night” knowing the eyes burn while
staring

To simply say: “watchfulness gags” knowing gagging is survival

To simply say: “observation is key” but the window keeps blowing open, the
stream of sound keeps flooding in

To simply say: “it appears I slashed where mirror & reflection meet”

come, the posture

                          folded legs     bowing throat in

 

 

 

 
 
 










 

.   .   .

white on white

window

                dot

shadow looks outside the broadcasted

             shellacked              dark

absence of sleep

.   .   .

the black square    cadence

                                          backwater

               window
               -seeing

doubly
          equilibration

 .   .   .

float
       beam

cool forehead wrinkling

despondent, alone,

expect mood to soften

it

bubbles up

                 from within

soul grasp

.   .   .

no sleep

             vigil

wash     feet soles white

with moonlight

shadow a peak

painted interior

           slow debris   collecting colluvial glow
                                                                              of night

                                                                              sleep with open eye

                                                       lidden
                                                       , roused dream
.   .   .

the corners of the black square keep me still

in the granular awakening
                                       rewiring pattern

.   .   .

when I could exist
                             immersed (without forethought
                                                                            repetition,          without

.   .   .

white window

on white night

black moonlight

trigonometry 

                  confluence of returning

thought

.   .   .

sleepless like fog-

horn,

bullet night burn

-ing city

               my window owns my

shadow

.   .   .

come
         through wakefulness          which iterates a veil

sore,

      the insufficient night cannot contain entirely
      my hours

              of looking

                         ‘parsed between measurement’

back on the glass
.   .   .

clinamen             lasso

I am opening to negation
                                     to the watchful descent of a drop from the inside
                       outside
                       a dimension,

                                        unexpressed

          the time it takes for me to sit
                               accumulated

                               a coalmine in each eye
.   .   .

midnight     inexplicable

erosion   unseen glass, come

strip the eye of presence   the dog wallowing

hoisted inside   the dog bark to
                                            the heart

alert with

              inch of will dragged on

.   .   .

night     I do not know      I subsist   

while being exterminated      

                                   when I could exist like
                                   a fume exist

                      in the dispossession
.   .   .

I am toward
pacifist

I nod    turn     hell blooms like a foot on
                                            a splinter       
                                 a squish   on     dead meat  

                                           I am toward   I move

in the motion      the slip    of grease

                                                a comet in trust

I have never        turned back      regressed

toward,

come

.   .   .

when staring at the void the constant

inconstancy emerges   the distinction as seeing

or making?

the distinction    as a kind of mindful diction

of usage

.   .   .

the void is braided & calculated

a star plaids     

                where the nothing is   

.   .   .

,
        notice

tubular way of looking out     so repressed

so
     unprepared       someone tells me “I’m a coward

for not wanting to die”       for this cause

                        for dying for

                                           for fearing the need to die

I hear the explosion      within me

who tries slowly to subdue

                           the wiring,     the reduction       to

want, appetite

but         what other dominions     exist?

come,

          what controls are set, established

                                                               in           ?

.   .   .

this crystal is in memoriam    as potential

as what transforms    enlaced from     form    to

                                          otherness

                     as being other than one
                                                        self

.   .   .

constructed   from     the tailbone

from the bottom’s radiance

                                      sacrosanct
                      a scab

                      that is pendant    too
.   .   .

cling     that motion that sticks

upon           ipseity     the observation

from detachment      which is      at times

a bellicose   attempt at holding    the    self

                                             open

                              turbulent

                 exposed

to         a parchment

.   .   .

a trace of guilt

                             historical

is also in     it    in momentous

                        turn

             toward

.   .   .

window       wasp 

twirling    in dusk

has small blood in it 

 
 

Sobriety Crystal

 




.   .   .

Is it simple

               to look

at one’s looking

            through impasse then    within

a mind’s enclosure    to sum

.   .   .

The juniper

                  lost of the tree

                  also a place without    terminus

            riveted in the jolt

                                      come            guarded

                                                              , in the speech

.   .   .

with so much that has been detected

          within the giving in of giving out   within

                    a waiting housed

               in braille drippings

                    so much for the looking into the empty house

           with dustbins

                    splayed like mountains

                    I fall a bit

              deeper

.   .   .
                    as when I come to the window

                    arriving in a blank

          the morning comes, moves   through my staying

when a wall moves

I feel it

as yearned impassable

                            a message        exists

               in this light
.   .   .

Lower the tunnels

over there      appraise the fence with the nether cork

spark

.   .   .

It’s a balloon & a bubble

I turn to

The bubble floats me away

into a float shimmer not unlike     certain codes

        for
           hell
   enistic

no hell      may travel      here  a soft swerve         internal

motion that shows

.   .   .

For turning

in it             the crystal appears

in telling     the crystal prophetic

What 
it says chars

in the saying    the crystal leaps   mushrooming

in the

          white trepidation    of rain           ?

                                            “It is raining”

                                            “It is not raining” 

 

Isabel Sobral Campos' books are Your Person Doesn’t Belong to You
(Vegetarian Alcoholic Press, 2018), How to Make Words of Rubble (Blue
Figure Press, 2020), and the chapbooks Material (No, Dear and Small
Anchor Press, 2015), You Will Be Made of Stone (dancing girl press,
2018), and Autobiographical Ecology (above/ground press, 2018). She
is also the co-founder of Sputnik & Fizzle.