April Freely
Wait #3
In the room where I get seen, I feel:
This is hard to watch.
I check the NP’s statements against what my body knows under its own authority,
like every monster.
She has me standing in a corner to give myself an exam she will say I’ve declined,
according to the Summary of Visit I’ll receive later.
I see the dark and the threat. The iron in my blood is lit
on day two.
Hysteria
is like the panicle of the hydrangea
a shift in expression, or color
alkaline soil, acid light
like Homer’s wine-dark sea
where the red is bitter
women over sixty-five, at the ER
with heart attacks are still
most often told anxiety
is what ails them
my mother’s real pain
was mistaken for a live, warm
and foreign source, in the video
for the heart association
where she tells her story:
one doctor walking the hall
saw a lasso of light
move across her face
like bioluminescence
before he called out
for the crash cart
+
these days, I jump
at the slightest sound
that isn’t a bullet, isn’t
a threat, a rope, a pathogen
it’s a phone, it’s a bag of skittles
it’s loose cigarettes, it’s chronic
I’ve stopped telling the doctors
which I don’t think you will
you can make another appointment”
women who are not taken seriously
when they express anger, are not taken
seriously when they express pain
I stress, I hysteria
if my allergen is stress itself, then
my body also treats no indictments
as evidence of a dangerous invader
my body is not wrong
When we came to your office, before
they said,
for tachycardia
press on the lid-dark eyes
set the body in sea water
but sensory deprivation for all
my feeling would be expensive
the prescription is in
my mouth, dentata, dentata
this body, this cinema
a throat black with ink
the blue black of decaying
material, intense black, stiff
black, blue black, cool black
magic, sidekick, mammy
+
Ma, is my resilience less
now than the strength
of all mothers before me?
I’m telling you something’s not right.
certain autoimmune diseases now
occur in populations of black women
at a rate three to four times higher…
though my inheritance in America
is to seem without feeling
though my humanity
is a further derivation
of the HeLa line, aren’t we all
the scapegoat body that furthers
the science, in this home
all my jane crow era
mothers have paid for?
I think you said you wanted to take some blood before I go.
a nursing textbook in 2017
counsels us: blacks often report higher pain
intensity than other cultures; they believe
suffering and pain are inevitable
in this America
my other body is the mule
the pile driver, a steady
transducer, as residual trauma
works across generations
through the genes, they say
+
I’d been walking around feeling real
but in the medical narrative, I know
I have to say the right words
to get credit for my pain
when every wireless telegraphy
is ruinous, the physician
must guess the depth
April Freely's work has appeared in American Poetry Review, Ninth
Letter, Gulf Coast, and elsewhere. She has received fellowships and
awards from Cave Canem, the Ohio Arts Council, Vermont Studio
Center, Tulsa Artist Fellowship and Provincetown Fine Arts Work
Center. She currently serves as the Nonfiction Editor at Washington
Square Review.